Author: placelogohere

My brother-in-law is a massive Ghostbusters fan, which I find curious, as he was all of four years old when the original film was released.  As for myself, I was in the key demographic for it: young enough to clamor for all the tie-in merchandise I could get, while old enough to understand what was […]

I was recently read a book about the making of the movie Airplane!, even though I’m not that film’s biggest fan.  One of the main takeaways for me from Surely You Can’t Be Serious: The True Story of Airplane! is how most of the humor that works best in the film is due to it […]

There are so many character actors I have seen in so many old movies that I’m starting to wonder if I will eventually find a movie where the entire cast is actors like Eugene Pallette, William Demarest and Patsy Kelly.  One such actor is Elisha Cook.  I suspect four randomly picked noirs from that genre’s […]

There’s nothing I like better in a film than snappy dialog.  I have found Bob Hope to be an excellent actor for delivering such repartee.  So I was surprised by how little I laughed when watching 1949’s Sorrowful Jones.  One of the first problems is the dialog scans as smart and snappy, but it isn’t […]

I recently read the most recent Johnathan Carroll novel, Mr. Breakfast, and there was a bit in it where a character is grateful to her boyfriend for introducing her to the films of Preston Sturges.  I think it sad that is a name not more broadly recognized today.  It is almost as depressing to me […]

Now here is one odd noir.  1956’s The Boss begins as US soldiers are returning home from fighting in the first world war.  That’s earlier than when most such films are set. Also, this is a thinly-veiled biopic of a real public figure, ala Citizen Kane, which is odd for the genre.  Not sure why […]

A few decades ago, I used to be a big fan on the Indiana Jones series.  I was all excited when the original trilogy was released on DVD, only to discover various aspects of the films now seem unpleasant and inappropriate.  When the tone towards cultures outside the “first world” wasn’t condescending, it was patronizing.  […]

1941’s Horror Island is the fourth and final film on the third volume of Scream Factor’s Universal Horror series.  All four films in this installment suggest the name of this series is becoming increasingly inaccurate.  The first, Tower of London, was a straight-up historical drama, though it did have a fair amount of suspense and […]

Anybody who seen 1955’s The Court Jester will fondly recall the scene where Danny Kaye struggles to remember a silly rhyming device he’s given to remember which of two goblets has poison in it.  Without looking at an earlier review I wrote of that, let’s see if I can remember it correctly: “The poison is […]

It is going to be difficult to discuss in any relevant way 2024’s Late Night with the Devil without giving too much away.  Of course, “too much” will vary from person to person, so my plan is to peel away only a few layers of this onion, and give a warning to bail before I […]

This was the last movie I watched on Arrow Video’s blu-ray boxed set showcasing five films Empire Pictures produced in the 1980’s.  Though they were of different genres (OK, two: sci-fi and/or horror), and made by a few different directors and other creative personnel, these had a weird aesthetic that seemed to suggest more connective […]

2018’s The Possession of Hannah Grace starts out with several strikes against it.  First, it is yet another exorcism movie.  I don’t know why I am so committed to seeing every movie of that horror sub-genre, as every one of them except The Exorcist is varying degrees of crap.  Secondly, it was distributed by Screen […]

Unexpectedly, I had fun watching the first three films on Arrow’s blu-ray box Empire of Scream: Enter the Video Store.  These were low-budget films with aspirations well beyond their budgets.  Each actually had some effects, dialog, performances and plot developments I had not anticipated.  Then I got to the fourth disc, Arena, and it was […]

1969’s The Mad Room is a suspense thriller with Shelley Winters in the largest of the supporting roles.  That alone may tell you everything you need to know about this film and decide whether or not it is right for you. The actual star is Stella Stevens, as the secretary to Winters.  Winters had been […]